Gareth Proskourine-Barnett is an artist, researcher and lecturer. Since graduating with an MA in Communication Design from Central Saint Martins in 2011 he has worked on a range of self-initiated and commissioned projects, taken part in artist residencies and delivered workshops internationally.
His practice incorporates film, performance, publishing and sculpture to examine notions of progress, change and dis-location, reflecting a landscape in a continual synthetic flux. By applying a materialist reading of the Internet as a space - not a virtual, abstract cyberspace but an augmented version of the old, real world – through his research he attempts to re-animate our relationship to place and the way that documentary practices can record histories that are being lost, forgotten or misplaced.
Gareth is currently working towards a PhD at the Royal College of Art in the department of Critical and Historical Studies. His practice-led research looks to cyberspace to provide a territory in which the ruins of Brutalist Architecture can be excavated and (re)imagined to (re)claim and (re)locate the utopian ambition of past gestures. Brutalist architecture providing a narrative device to reconfigure our relationship to images and places that are unstable, exploring the entanglement of past, present and future to imagine a world where ruins have become utopias and where archaeology and futurism merge. By adopting an essayistic approach in combination with archaeological and archiving methods, I aim to investigate the diverse ways that narratives are encased within image objects that move between online and offline modes, particularly the slippages to meaning that arise through acts of displacement.
Recent projects have included ‘Fractured Perspectives Part 1’ - a performative lecture that weaves together real and imagined histories by adopting the role of the cyber-flaneur to interrogate examples of Brutalist architecture on the internet. As the material of the buildings dissolves in cyberspace, so does the idea that architecture is static or immobile. The performance explores the implication of these movements for Brutalism and how this alters our perception of fact and fiction. Gareth has performed this lecture at TAG 2016 (Theoretical Archaeology Group), Flatpack Film Festival 2017, Shaping the View (Illustration Research), JRAD 2017 (Design and Urbanism of the University of Buenos Aires), EVA 2018 (London) and Digital Materialites (Harlesden High Street Gallery, London).
In June 2018, Gareth launched ‘Conc(re)te’ at the RE - F O R M Design Biennale in Denmark. An open-access archive of digitised concrete fragments from the now demolished Birmingham Central Library. 3D scans of the concrete debris are available as mutant copies to download, reuse and repurpose, creating the opportunity to rethink our relationship to the materials of our constructed world(s) and the narratives embedded within them. This digital archive was exhibited alongside an exhibition of 3D printed replica concrete debris. The project has since been showcased as part of the V&A’s Digital Futures Event at the British Institute of Computing and is now being used to deliver a series of experimental workshops with universities across the UK.
Alongside his personal practice, Gareth collaborates with artists and designers on publishing projects under the name Tombstone Press. In 2018, Gareth published ‘Affectation Correspondence’ in collaboration with Annabel Frearson and Regular Practice. The book is an experimental science-fiction short story and forms part of Annabel's ongoing major project Frankenstein 2, which aims to reconfigure the entirety of Mary Shelley’s Frankenstein (1831) using all and only the words from the original into a new expanded novel and associated works. In 2013 Gareth collaborated with Graphic Designer David Wrenne on ‘How Buildings Kill’, an anthology of writing including Owen Hatherley, Ken Hollings and Jacqueline De Jong.
- Documentary
- Spatial Practice
- Communication Design
- Digital/Post-Digital Practice
- Publishing
- Psychogeography
- Hauntology
Education:
- MA Communication Design (Distinction), Central Saint Martins (UAL)
- BA (Hons) Visual Communication (First), Birmingham City University
Professional Development:
- Curatorial Programme 2017, Grand Union Gallery, Birmingham, UK, 2017
Teaching across all levels on BA Art and Design. Level 4 coordinator.
PhD Candidate at the Royal College of Art
Selected Exhibitions:
- Flight Mode, Assembly Point, London, 2018
- Digital Futures, The V&A and The Institute of Computing, London, 2018
- REFORM Design Biennale, Munkeruphus, Denmark, 2018
- JRAD, Baliero Saloon, Faculty of Architecture, Design and Urbanism of the University of Buenos Aires, Argentina, 2017
- Flat Pack Film Festival, Flat Pack Hub, Birmingham, 2017
- Shaping The View, The University of Edinburgh, 2016
- Art Thesis Exhibition, Bangkok Arts and Cultural Centre, Bangkok, 2016
- High-rise and Fall, Centrespace Gallery, Bristol 2015
- The Itinerant Illustrator, Srishti School of Art and Design, Bangalore, 2014
- X100, X Marks The Bokship, London, 2013
- On Landscape, Guest Projects, London, 2013
- Brut-Kok, (solo) Chulalongkorn University Museum, Bangkok, 2013
- Moscow International Young Artist Biennale 2012, Moscow, 2012
- The Tomorrow People, Elevator Gallery, London, 2011
- Pick Me Up, Somerset House, London, 2011
- The Society of Futopia, New Generation Arts, Birmingham, 2008
- New Fangled, Main Gallery, Las Vegas, 2008
- Deviant Art Festival, Trollhattan, Sweden, 2007
Symposiums & Conferences:
- EVA 2018, The Institute of Computing, London, 2018
- Documentary Discourses, University for the Creative Arts (UCE), 2017
- Tokyo: A Trans Asian City, ImaginAsia2017, Meiji University, Japan, 2017
- Visualisation, The Theoretical Archaeology Group Conference, University of Southampton, 2016
- Shaping The View, Illustration Research, The University of Edinburgh, 2016
- The First International Design Disseminating Conference, BACC, Thailand, 2016
- People Mobility and Asian Heritage, ImaginAsia2016, Chulalongkorn University, Thailand, 2016
- Everywhere and Nowhere, Nottingham University, 2016
- Visionaries, Varoom Lab, Birmingham City University, UK, 2015
- Brave New Worlds, Newcastle University, UK, 2015
- The Itinerant Illustrator, Srishti School of Art and Design, Bangalore, 2014
Residencies:
- I Want! I Want! Researcher in Residence, Birmingham Museum and Art Gallery, May 2017
- Publisher in Residence, Winchester School of Art Publisher Hub, November 2014 - February 2015
- Artist in Residence, Faculty of Fine and Applied Arts, Chulalongkorn University, Thailand, June 2014 - September 2014
- Artist in Residence, The Albert, What If Projects, London, February 2014 - May 2014
Publications:
- Reportage Illustration: Visual Journalism, Bloomsbury Press, 2018
- Affectation Correspondence, Tombstone Press, 2018
- A Project, Hatton Gallery, 2015
- How Buildings Kill, Tombstone Press, 2013
Workshops:
- ‘Google Postcards’, Birmingham Museum and Art Gallery, 2017
- ‘Re-frame and Re-Claim’, Norwich School of Art, 2017
- ‘Object Oriented Illustration’ Royal College of Art, 2016
- ‘Walkshop’ (DIG), Illustration Research, Edinburgh School of Art, 2016
- ‘Reportage and the City’, Silpakorn University (Erasmus +), Thailand, 2016
- CARIS Summer School, UK, 2012 / 2015 / 2016 / 2017
- ‘Expanded Drawing’, ICAT Bangalore, India, 2014
- ‘Investigating Locations / Telling Stories’, Chulalongkorn University, Thailand, 2013
Awards and Prizes:
- Elephant x Grifin Art Prize 2018 (Longlisted)
- Royal College of Art Travel Bursary 2018
- Reportage Illustration Award 2015 (Shortlisted)
- Art Books Wanted 2014 (Shortlisted)
- 3x3 Illustration Awards, Student Prize, 2011 (Bronze Medal)
- Emma Jesse Phipps Bequest, 2008, Birmingham City University
- George Jackson Travel Bursary, 2008, Birmingham City University
Commissioned work
Ambit Magazine, One Little Indian Records, Arts Council England, Folk Clothing, Dazed and Confused, Somerset House, Urban Outfitters, Diesel Jeans, Size?, Proximity Advertising Agency, Y-Not Music Festival.