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Lunchtime Music

RBC Musicians

Date and time
13 Jan 2025 1.05pm - 2pm
Location

Recital Hall, Royal Birmingham Conservatoire

200 Jennens Road, B4 7XR

Price

Free - booking required

Booking Information

Assistance dogs are welcome at Royal Birmingham Conservatoire venues. If you wish to bring an assistance dog or wheelchair, please let the Events Office know by calling 0121 331 5909.

Soprano Elissa Street

Elissa Street soprano
TBC piano

Weill
'Barbarasong' from Die Dreigroschenoper
'Surabaya Johnny' from Happy End
Complainte de la Seine
'One Life to Live' from Lady in the Dark
'Somehow I Never Could Believe' from Street Scene
'Speak Low' from One Touch of Venus

Roberto Rumenoc piano

Programme tbc

Elissa ‘Eli’ Street (pictured) is a soprano currently undertaking postgraduate studies at Royal Birmingham Conservatoire under the tutelage of Louise Crane and generously supported by several grants and a scholarship. They were a first-class undergraduate and postgraduate scholar of the University of Birmingham and previously also studied at the Guildhall School of Music and Drama and Purcell School for Young Musicians. Eli has performed at many esteemed locations within the UK, including Wigmore Hall, Cadogan Hall, and Birmingham Symphony Hall. They are the recipient of ‘Best Female Voice’ at the 2023 International G&S Festival, two prizes for the quality of their vocal performance at the University of Birmingham (2023), and highly commended in the Stuart Cameron-Smith American Song Prize (2024). Most recently, they were a Chorus Mentor for Birmingham Opera Company’s New Year (Tippett), performed as Aline in The Sorcerer (G&S) at the Old Rep and Henley-in-Arden Arts4All Festival, and continue to tour with Opera Anywhere as Saphir in Patience (G&S). Notably, in 2025, they look forward to performing as Lady Billows in Albert Herring (Britten) with Royal Birmingham Conservatoire. Eli has a keen interest in Weill's vocal works which manifests not only in their performances but also in extensive research. In partial fulfilment of their first master's from the University of Birmingham, they examined the performance practices of Weill from 1928-1941 in lecture recital, commentary and recital format. They aspire to share this research and perpetuate the performance of Weill’s diverse compositional catalogue in future engagements.

Forthcoming events in RBC Musicians

Forthcoming dates include: