Eveleigh currently teaches on the following modules:
- RES7003 Postgraduate Certificate in Research Practice (Postgraduate)
- CRI6093 Human Rights: Theory and Practice (Level 6)
- CRI5073 Substance Use, Deviant Behaviour and Crime (Level 5)
Eveleigh’s current research focuses on young people and music scenes, utilizing participatory and creative methods to explore experiences of marginalization and the identification of resistance.
Current live projects:
- Himaya Haven CIC: BAME Families of Prisoners (CI)
- People and Dancefloors: Narratives of drug taking (CI)
Eveleigh is currently supervising one BCU funded PhD student as Director of Studies.
- Student: Julia Lurfova
- Thesis Topic: Documenting the Dark: Ethnography of ‘jam’ music spaces
Buck-Matthews, E. (2024) Sharing fieldnotes: Collaborative learning at the summer music festival. Area, 00. Available from: http://doi.org/10.1111/area.12930
Raine, S and Buck-Matthews, E (2022) ‘Hey Girl, Don’t Bother Me’: Gender, Sexuality and Issues of Inequality in Popular Music and Youth Culture’, in Bennett, A (2022) Handbook of Youth Studies and Popular Music. Bloomsbury Publishing.
Buck-Matthews, E. Kelly, C. (2022) Backpacking, in Lynes, A. Kelly, C. Treadwell, J. (2022) 50 Dark Destinations Crime and Contemporary Tourism. Policy Press.
Zampini, G. F., Buck-Matthews, E., Killick A. & Salter, L. (2021). We, ourselves and us: Tensions of identity, intersubjectivity and positionality stemming from the people and dancefloors project. International Journal of Drug Policy, 99. Available from: http://doi.org/10.1016/j.drugpo.2020. 103096
Zampini, G. F., & Buck-Matthews, E. (01 April 2020), ‘When you cross over that invisible boundary’: exploring drug taking in the caring dancefloor. Discover Society, 79
Buck-Matthews, E. (2018) Review of Gender and Rock by Kearney, M. International Association for the Study of Popular Music Journal, 8 (2) 50-52.
